Posts Tagged ‘dnd’

Dragons of Babylon, Part 2

The Red King levitates above as swarms of Hittite soldiers pour into the king’s tent

Of course, as we started our D&D campaign one Spring evening in 2015, I didn’t intimidate the players by telling them “Now we begin a ginormous campaign that will suck up your Wednesdays until 2019!!” I tried not to burden the players with too much plot early on; like a manga or a TV show, I always kept my eye on an “escape route” by which I could bring things to a quick, more-or-less satisfying ending if people got bored.

Though of course the PCs could and did go in unexpected directions, I structured the game as a series of branching paths: for example, in the first session at the tavern, the PCs basically had the choice between:

(1) the pirate path: following a treasure map to a mysterious island —> leading to the 3e adventure “The Secret of Manjack Cay”


(2) the more heroic path: accepting a job to find what happened to a lighthouse that went dark —> leading to the 3e adventure “Wreck Ashore”

The Tower of Babel. One of many handouts I drew on the backs of 19″x24″ bristol boards.

To me, DMing is like DJing: you don’t have to make original music. Throughout the game I used D&D & OSR adventures I found on the internet, re-skinned to fit the general feel of the campaign. One of the design goals of D&D 5th edition was to make it easy to reuse old D&D adventures, and the designers really succeeded at this. There’s so many D&D adventures on DMsGuild, and so many OSR adventures on RPGNow and online, it’s easy to find a pre-existing dungeon/quest/city and re-skin it to whatever you need for your current group and campaign. I did occasionally make up my own maps from scratch, such as for the dreaded Temple of the Sword God.

The cruel city of Assur. The PCs actually only went here in Hell, not in the real world..

So the game went on, and new players joined as old ones dropped out. After a few weeks, I felt confident enough to lead the PCs into a longer story, for which I chose the first official 5th edition campaign…HOARD OF THE DRAGON QUEEN / RISE OF TIAMAT!

Kubabar, Queen of the Silver Dragons

“Hoard of the Dragon Queen” is an excellent adventure with lots of cool setpieces. (Flying castle! Swamp castle! Defending a besieged town! Diplomacy mission! Stealth mission!) I mostly used “Hoard of the Dragon Queen” unchanged, except for re-skinning areas into their Babylon/Egypt equivalents and putting the opening sequence on islands for pirate sailing ship action. (I also rearranged the map a bit for nitpicking’s sake… why does Rezmir spend all this effort dragging the hoard overland in one direction, then get in a flying castle and fly it in the other direction?) One other reason I didn’t launch “Hoard” till a few sessions in is because, as written, it begins with the players walking past a town and seeing a giant dragon attacking it. As other D&D bloggers posted, many player groups responded with “We run away!!” By familiarizing the players with Tarut Town a bit before I sent in the big dragons to blast it, I tried to give them more emotional investment in saving everybody. (And even so, the players very nearly turned their boat and sailed in the opposite direction… for which possibility I consoled myself by planning “If they do that, I’ll just have them shipwrecked on an island and run ‘Tomb of Horrors.'”)

Rezmir and Father Toad, the two villains I changed the least

I also tried fleshing out the Tiamat cosmology and society to move it away from the Euro-fantasy pure-good-vs-pure-evil Forgotten Realms setting. For example: where do dragonborn fit into a world where the central conflict is dragons vs. humans? Do they have conflicted loyalties, listening as their well-intentioned allies say things like “It’s not dragons that are the problem, it’s Radical Dragonism”? And since I wasn’t using the D&D law/chaos/good/evil alignment system (zzzzzzz) in the game, couldn’t the Tiamat worshippers have more interesting and varied motivations than just being evil jerks? The original adventure is just G.I. Joe vs. Cobra and doesn’t have any interest in these themes, and perhaps they don’t fit easily into an essentially escapist game like D&D where most players want to punch evil dudes without the DM psyching them out and depressing them with moral gray areas, but I played with them a bit anyway.

(For those who care, another change I made was to take D&D’s “there are 5 types of good dragons and 5 types of evil dragons” and change it to 3-7 favoring evil. It’s just more fun when the forces of good are outnumbered.)

Shahrivar, the Gold King

“Rise of Tiamat,” the sequel to “Hoard”, is sadly a bad adventure. It consists of a bunch of thematically disconnected mini-dungeons which aren’t very interesting, and (worst of all) it’s written from the assumption that the adventurers can *never* stop Tiamat from rising so all the mini-adventures end in pointless “Sorry Mario, the princess is in another castle” setbacks leading up to the unavoidable Climactic Fight with Tiamat. Basically it’s just bad writing; instead of the mere illusion of choice, the authors should have given the players the actual possibility of getting the dragon masks and stopping the cult. The only things I used from from “Rise” was the “meeting with the good dragons” encounter, the “meeting with all the kings & queens to discuss the Tiamat situation” setup, and the green dragon encounter.

Puzrish-Dagan, one of the Four Pirate Kings (one guess where I stole THAT idea from)

So for the second half of the campaign, I pretty much completely made everything up from scratch (while pillaging from pre-existing maps and adventures whenever possible, of course). In my next post I’ll talk a little about stuff that happened during the campaign, what the adventurers did and where they went.

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Dragons of Babylon, Part 3

Belteshazzar, archmage of the Tower of the Sea

So what did we do that wasn’t in the “Rise of Tiamat” module? We filled the time with a mixture of old modules (reskinned for the pseudo-Babylonian world, as always) and whatever I wanted to throw into a D&D game, all as part of the quest to stop Tiamat, of course. Always I tried to give choices to the players, sometimes leading to argument over what course to take, and in one or two cases leading to the characters splitting and going their separate ways. (I overdid this — splitting up the party once in awhile is fun, but when I gave one player a 4-game solo adventure with the other players in the role of his NPC buddies, people started to get tired. Thankfully the heroes eventually regrouped, and got over the part-IC, part-OOC reasons which had led to the party splitting.)

Dilmun, the location of the Green Mask of Tiamat

Here’s some of the memorable things that happened in the game:

A trip to Hell and back, to rescue a friend. Elliott Chin had run a “trip to the underworld” sequence in his own 2000-2004 D&D game and I thought it was so rad and mythological I had to do something similar. Hell, in this Babylonian world, wasn’t alignment-based: it was a bureaucratic sort of place where both the good and the evil go, tended by demons, forever repeating their most vivid memories in a gray subterranean shadow of their former world.

Yeghiazar, governor of Hell, challenges the PCs to the Ur-Game
Konstantin Pogorelov, aka Sethep, inked and colored my pencil sketch

A military battle, Babylonians vs. Hittites, with military combat rules I cobbled together for the occasion (again based on rules from Scott Bennie’s eternally awesome D&D supplement Testament). To stop the White King’s invading Hittite armies, the PCs joined the troops of the Babylonian Empire and sallied forth to defend their homeland. It was fun, though I erred by having too many troops on the field, too fast… the PCs only got one session to ‘test out’ the military rules with their own small detachments before getting dragged into a huge (too huge) battle between about a zillion NPC armies, both enemy and friendly. (Having friendly NPCs assist the players is always tricky: on the one hand, you want the players to enjoy having NPC friends and not just assume that everyone in the campaign world is an enemy and/or useless, but on the other hand, there’s nothing more wanky than the DM rolling dice against themselves while the PCs watch. I didn’t always avoid the wankiness.) Still, the battle of Carchemish gave the PCs a chance to lead troops and to have some cool moments.

The White King’s forces approach the Babylonians

A dragon who spoke only in poetry. I had just read Dick Davis’ translation of the Persian national epic, the Shahnameh, and I loved the poetry so much I wanted to do something similar. Though I would love to be able to REAL-TIME improvise a rhyming NPC (and I tried to do this in many Dreamland RPG playtest sessions…), I wimped out and prepared its lines in advance. One of the musically talented players, when in the role of Zhosh the tiefling bard, stepped up even farther and wrote songs AT THE TABLE!!

The dreaded Zagros Mountains
I didn’t always draw stuff. From an email to players.

A trip to the edge of the world (which was of course flat). Here where the world’s oceans flowed to their end, the heroes went to the Gardens of Evening, with a stop at the terrifying and reality-bending Palace of Time (a reskinned version of Lamentations of the Flame Princess’s Monolith Beyond Space and Time, which I’ve drawn a poster for).

Vasculus sees the Ocean of Heaven (by Konstantin Pogorelov)

A trip to the Tower of Babel (heavily inspired by Ted Chiang’s short story). Alas, in the end only one PC, Vasculus the lizardman, really managed to climb the tower, but the other players joined him as one-shot lizardfolk, slaves imprisoned in the workers’ quarters far up in the miles-high tower.

Ammi-Saduqa, archmage of the Tower of Stars (the Tower of Babel)

A second trip to Hell culminating in a game of soccer against demons. I’ll probably post the rules for this eventually. It was the World Cup and it just seemed appropriate! Unfortunately for the forces of darkness, the adventurers defeated them in physical sports just like they had previously defeated them in boardgames.

Christmas (well, “Christmas”) presents for the PCs! Art, idea and bottle by Jumana Al Hashal

Then there were also the trips to the Elemental Plane of Plant (thank god we had plant and ‘jungle’ miniatures!!), the brief foray to the Meat Plane which grew out of one player’s offhand joke, Sethep the wizard’s business ventures, Kali’s visits to her parents, Vasculus’ trip to his homeland Nagqu City, the underwater adventure in the Tower of the Sea, and so many trips to the market (so many we made a DM’s Guild Fantasy Shopping supplement about it). And of course, a trip to the Moon.

In the next post I’ll talk about D&D challenges and problems and things I learned running the game. (And show more art by the other players!!)

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Dragons of Babylon, Part 4

Kali dons the Black Mask (by Konstantin Pogorelov)

We played D&D for four years. Occasionally there were arguments; occasionally people left the game on a bad note. But even when things went sour, folks are still friendly. There were fun moments, unexpected moments, tense fights, not-so-tense-because-I-didn’t-balance-the-opposition-well fights, and many little notes and works of art (and even songs!) written and drawn. And I had a lot of time to think about D&D 5th edition and about DMing, and generally just about hanging out with other gamers.

The Sumerian Calendar. We used this to mark off the days till Tiamat’s summoning on the Fall Equinox. I used a generic fantasy calendar (I couldn’t find an Egyptian-themed calendar, sadly) and marked it up with approximately historical Babylonian, Canaanite & Egyptian holidays from Scott Bennie’s “Testament,” plus made-up ones. The PCs got an extra use of Inspiration on their birthday.

* I’ve been playing D&D since elementary school in the ’80s, and D&D 5th edition is my favorite version of D&D. It’s balanced, has lots of flavor, and is fairly easy to use. It’s on the upper end of complexity for modern RPGs, but D&D is like Esperanto: every gamer understands the basic concepts so much of the ‘groundwork’ is already done.

Shai-nefer, one of the Three Lords of Heaven

* Designing challenging fights is hard. The Challenge Ratings (CR) in D&D5e are definitely designed for a 4-player group. If you want challenging fights for even a 5- or 6-player group, you have to REALLY up the challenge rating and number of monsters. I occasionally forgot about this (“Mwa ha ha ha ha! A green dragon is a CR 15 challenge! I wonder if this fight will be too hard, what will I do if they all die…?”) and accidentally ended up giving the players pushover encounters (“Huh, they killed that green dragon pretty easily…”). Luckily, players are rarely pissed off by winning fights. Tinkering with balance was a struggle for the entire campaign but generally things went better and were more exciting when I ignored CR and just hit the adventurers with more than I thought they could handle. (Also, it usually ‘feels’ fairer to spontaneously nerf the bad guys by having them “roll a 1” or having some NPC distract them, than it does to spontaneously give them extra hit points because the PCs are kicking their butts too easily… -_ -;; ) Although every player is different, most players enjoy the feeling of risk and knowing their PC’s life depends on that one final Death Save or die roll.

Ji-Yun the brass dragon

* There’s also definitely such a thing as a cheap shot by the DM. The one game session I most regret was the time the adventurers went out to a drinking contest and I decided “hmm, guess I’ll have the criminals kidnap them now” and they got jumped by thugs and I told them they had were all “poisoned” by alcohol and had disadvantage on their rolls. >_> Sorry everybody!

Gashansun the druid

* I love the ease of grid-based combat in D&D 5th edition. D&D is a fighting-centric game, and maps allow you to make more interesting and more complicated combats than the loosey-goosey dogpile of combat without maps. It’s the same way that a fight in a movie or a manga/comic can hold my attention much longer than a fight in a prose book. OTOH, one player in the group hated going into “boardgame mode”, and ultimately left the game partly because he got tired of the complexity of 5th edition combat. Everyone’s different. All RPGs don’t need maps, of course, but I really like them in D&D. 


* Level 3-10 are the ‘sweet spot’ for D&D. Raising levels is intuitively appealing; almost every player enjoys the shonen-manga feel of getting stronger (and usually acquiring more stuff). However, once you get to the higher levels the game slows way down; (a) the math is more complex, (b) everyone has so many options it takes more time to decide what you’re doing and (c) it simply takes many, many more fights (as well as much stronger opponents) to whittle down the PCs’ enormous reserves of spells and hit points. Players may gaze aspirationally upon the cool high-level stuff, and the concept of playing super-powerful godlike heroes brings its own story possibilities, but it makes sense that there’s limited demand for high-level D&D adventures and books.

Gimandora, two-headed white dragon

* The D&D5e spell list is fun for the type of complexity-loving player who likes it. In a superheroes game you want lists of cool powers, in a spies game you want lists of cool equipment, and in a D&D game you want lists of cool spells. Flipping through the Player’s Handbook quickly to find spells is a skill I am proud to have mastered.

The plunder of the Kemeti Wizards (by Konstantin Pogorelov)

* But I still have to say… the “Healing Word” spell is totally overpowered! It’s ranged AND it only costs a bonus action? >_> “Cure Wounds” is pointless in comparison! NITPICK

Hattusilis, the White King (in his White Mask; he doesn’t actually have a fish head)

* I read a tweet awhile back claiming that “DMing isn’t any harder than being a player!” I agree with the intended encouragement that everyone should try to DM if they want to, but this statement is kinda ridiculous. There are plenty of cool storygames and RPGs without DMs (like Fiasco), but in every DMed game I’ve played (a) the DM had to put in much more ‘prep time’ than the players, and (b) the DM has to be constantly attentive to everyone at the table, whereas players have more freedom to occasionally space out, or leave the room and get a coke, or doodle on their character sheet or whatever. Just like some players play RPGs to be heavily involved in the story and constantly emote in-character, and other players play RPGs more to just chillax and hang out with their friends, –> and that’s okay!! <– some people enjoy the increased involvement of DMing and some people don’t. It’s just a different experience. As for the additional prep time, D&D is a creative experience, and I loved putting in the extra touch… drawing maps, drawing sketches of monsters and people the characters encountered, creating fake props, writing little poems and speeches for the monsters. It’s perfectly possible to have tons of fun playing a completely improvised RPG, but there are so many little ways to increase the immersion of the game and create art which brings players into that world.

The ruthless Kugal-Agguba

Next post, more D&D problems!!

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Dragons of Babylon, Part 5

Lahar, King of Dilmun

More thoughts on DMing a long D&D campaign:

* Given that we were playing in Fantasy Ancient Babylon, with a map based on the areas of modern-day Iran, Iraq and the Gulf, I did my best to keep the game from being an annoying microaggression-fest, with mixed results. This was helped by the fact that Ancient Babylon, like Ancient Egypt, doesn’t have much link to any modern-day culture and Ancient Sumerian doesn’t have any relation to any modern-day language. (Tho Ancient *Akkadian* is distantly related to Arabic…) If I’d had the urge to DM a Fantasy Version of Baghdad in the Islamic Golden Age (i.e. the old D&D “Al Qadim” setting), I imagine, it would have been a much more delicate and difficult situation and a much harder pitch to the players.

Labynatus, conjurer of the Tower of Stars

* Several players left the game for different reasons, mostly on good terms, some less so. To list the reasons:

  • 2 players left because of new jobs/new school/schedule conflicts
  • 1 player ghosted after 2 sessions
  • 2 players left because of interpersonal IC/OOC conflict
  • 1 player left because of interpersonal IC/OOC conflict, plus they decided they hated D&D 5th edition
  • 1 player left at a good stopping point in the story, when they’d just achieved a big in-character goal (and also because of new schedule conflicts)
  • 1 player left after 1 session because the commute was too long
Mermaids, the adventurers’ consistent enemy

In my experience, when people have in-character conflict, it’s almost always because there’s out-of-character conflict too. People play roleplaying games together (a) because they’re friends but also (b) because they just like roleplaying games and it’s a common interest. Also, four years is A LONG TIME; lots of friendships and relationships don’t last that long, even if you’re not acting out your most violent and unshackled-by-civilization fantasies together every Wednesday.

Over four years, literally every player in the group had times when they became frustrated with the others, often when dealing with out-of-character stress. Some people are naturally louder and more socially dominant than others; others are less focused at the gaming table and will be sharing phone videos, talking over the DM etc. (this is particularly a problem with larger groups); other people have temper issues; others have anxiety issues, etc. 

Mohenjo-Daran (or “hobgoblin”) wizard

In D&D, the most common IC/OOC conflict is between players’ different ideas of “heroism.” Some people love playing idealistic, pure heroes who fight for justice and goodness (albeit still with lots of killin’, unlike in superhero stories where the heroes just send the bad guys to jail, zzzzz). Other people love playing ‘hard’ heroes, the ‘cool hitman’, the ‘cool rogue’, the ‘badass who doesn’t take shit from anyone’.

In my experience, almost everyone thinks of their D&D character as ‘good’; only a minority of players will say “Sorry, my character is a jerk…”. And most people will just use that as an excuse for acting jerky; only an even *smaller* minority will actually keep emotional distance from their jerk character and laugh as their jerk character gets the dramatic comeuppance which we want jerks to get in escapist fiction.

Cygnus of Magan

The clash of heroisms isn’t an easy problem; even in scripted TV shows watched by millions of people, it doesn’t make sense that Daredevil and the Punisher inhabit the same moral universe.  Often, the players will act like Marvel TV writers and both sorta look the other way and avoid the conflict, but sometimes things get heated and DM has to take sides, or mediate between the players OOC to come to an agreement.

(A friend pointed out that in D&D and most RPGs, you’re encouraged to identify 100% with your character and have 100% agency… which works great until you clash with other players’ agency. It’s an interesting difference from some other, generally rarer, RPGs, like the comedy RPG “The Dying Earth”, in which the rules themselves establish that your character’s behavior isn’t entirely in your control (in Dying Earth, because your characters are all more or less ridiculous, clueless jerks like in a nihilistic fantasy sitcom) and you need to ‘keep some distance’ from them. Different rules create different expectations.)

Lily the druid of the Great Green Marsh between the Tigris & Euphrates

On top of this is the semi-separate issue that different players, at different times, just take the ‘reality of the game’ more seriously than others. As a player in an old D&D game, I remember getting pissed off OOC and starting an in-character fight because another player’s character slit the throats of NPC prisoners. And yet in other games, when I was old enough to know better, *I myself* had played murderous Chaotic Evil jerks who just went around killing innocent NPCs constantly! >_<;; Some people are deeply engaged in the game, others less so. It’s unreasonable to expect every player to come to the game wanting a deep moral and emotional engagement with a bunch of imaginary beings in a fantasy world. (And it’d be hard on the DM to maintain this level of engagement too. Roleplaying games are games.)

And yet emotional engagement is wonderful. One of my favorite moments in our 4-year campaign was early on, when the adventurers were begged to help protect a besieged temple from evil Tiamat cultists who were about to break in and slaughter everyone. Seeing that the adventurers were hugely outnumbered, half the group, the roguish half, ran away… but the other half, led by one particular brave PC, decided to stay and fight the Tiamat cultists and protect the defenseless worshippers who were cowering behind the altar. “I couldn’t believe that I cared so much about the lives of these imaginary people!” the player said to me afterwards.

And best of all, after this dramatic split in the party, there was hardly any out-of-character argument or bad feeling. If people are in the right space for it out-of-character, in-character disagreements based on roleplaying can create some of the richest moments of the game.

People play D&D to do things they can’t do in real life, which causes issues when your fantasies bump against those of the other players. A bad D&D article I once read had a line like “You don’t want your players to think they can hit on the barmaid” to which my answer is, who cares if a player hits on the barmaid? This is make-believe, and wanting to be magically charming & beautiful & not-shy and have make-believe sex with make-believe people is as appealing (and more common) a fantasy as wanting to fly or kill monsters. I’ve played wonderful games by DMs of all genders which involved romance and (usually offscreen) sex.

Then again, there is the question of how much weight events have, how much time they occupy. There is a difference from “Player X hits on barmaids” vs “Player X sleeps with prostitutes in every major city.” Still, Game of Thrones is one of the most popular shows on TV and it’s full of glamorized sexy prostitution and some players are going to come to D&D with dreams of GoT in their minds and that shouldn’t be shocking or disqualifying. But then, there’s also a difference between “Player X talks about sleeping with prostitutes and the DM handwaves it and says ‘ok, you go do that’” and “Player X looks for prostitutes and the DM goes into a 15-minute raunchy prostitution mini-adventure”. Who knows, maybe everyone at the table thinks the prostitution subplot is hilarious; or maybe not and some people are actually annoyed and uncomfortable. It’s unproductive and pointless shaming to talk about ‘bad’ RPG fantasies. But some people with different fantasy lives—morality-wise or gore-wise or sex-wise—simply won’t have a compatible play style in the long term and might be better off finding different gaming groups with similar interests.

Sisa of Canaan, and her husband

One of the DM’s main jobs is to be “H.R. Department” for the gaming group as a whole: to listen to players’ complaints; to be attentive to when players are unhappy but aren’t openly complaining and to reach out to them; and to mediate between players and make decisions when there are out-of-character disagreements. If the DM can’t step up and solve these issues, the game will end up dominated by the loudest, most aggressive and/or most demanding players, and/or the players will end up openly feuding, which is fun for nobody. Being “fantasy wish-fulfiller” and “challenge coach” at the same time as being “H.R. department” isn’t always easy, but this is a DM’s job. Sometimes I could have done better; in the future I hope I’ll do better. 

The explosives-breathing Red Dragon

…and so, after 4 years, our D&D game ended. In the end, the players surprised me by being MORE successful than I thought they’d be, unexpectedly killing one of their main enemies, the Red King, before he could teleport away, while simultaneously fighting two white dragons and a near-infinite number of Hittite infantrymen. The Red Mask was captured from the Red King’s corpse, the rise of Tiamat was thwarted, the Hittites surrendered and the surviving PCs were celebrated as heroes, after which I hit them with a new short adventure to tie up some plot threads. The last few sessions were a little rushed because I knew people were losing interest, so things went quickly at the end, like the last season of HBO’s “Rome” where they ran out of budget and had to condense the entire Antony & Cleopatra storyline into a few episodes.

It was a climax, though not every plot thread was tied up. They saved the world from Tiamat, learned the secret origin of the human race, and went to the moon. But would they defeat the evil Priests of Marduk? What about the most powerful creature on Earth, still hungering for conquest, the evil Dahhak the Gold King? And would they rescue their friends Bayati and Harala, imprisoned by the mermaids? Or baby Ziggy, one of only two gold dragons in the world? These questions were left as a “what if?” As the heroes fly from the moon to the earth on a flying carpet, dodging meteors and comets, the movie ends and the credits roll.

(But that’s not all!! Next post, more art by the other players!!)

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Dragons of Babylon: The Cities

Over the course of the campaign, I drew a lot of maps of the various cities the players passed through. Most were drawn on the backs of 19″x24″ sheets of artboard for easy reference at the table. Of course, walking into a town, the player characters don’t necessarily immediately “know” that here’s the wizards’ school and here’s the temple, but I think it was nice to give players something to look at to make the setting more immersive.

Here are those maps, in case anyone finds them useful! Some of them are also posted on Instagram, Twitter or Facebook.

These maps are mostly completely imaginary, of course, but for the real-world cities (that is, not Nagqu or Ararat) I started with historical info when possible before going nuts with the taverns and brothels. There’s little data available for most of these places, but Hattusa and Babylon have full 3D reconstructions available online based on archaeological digs (!!), and Colin MacEvedy’s Cities of the Classical World, recommended by Kenneth Hite, had info on Assur and one or two others. This kind of “start with research before completely making up a bunch of nonsense” approach works for me.

If you like my maps, please check out more of them in color at! (plug plug)

Abzu City
Ararat City, aka Ararat Town
Assur, capital of Assyria
Mighty Babylon. The scale here is 2x that of the other maps.
Eridu with its sacred pool (now destroyed)
Failaka Island
Girsu, before the pirate raid
Nagqu, secret city of the lizardfolk
Tarut Town on Tarut Island, where it all began
Uruk, city of the dragonborn, children of Gilgamesh

That’s about all I can write about “Dragons of Babylon”. For my next post, I’ll write about my current RPG, Dreamland.

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